Showing posts with label Montaigne. Show all posts
Showing posts with label Montaigne. Show all posts

Tuesday, September 8, 2015

Exploring the Brave in The Brave New World





There's a persistent theme that cropped up in our texts this week, but particularly in The Tempest and Of Cannibals, and that is the idea of colonialism and the self-perceived superiority of a culture or people. The Brave New World, for all it's enlightenment and rebirth was, as the Norton Anthology describes it, "a profoundly intolerant age. There was very little willingness to accept the legitimacy of structures of belief, patterns of behavior, systems of rules and social organization other than one's own." We see this with the portrayal of Caliban in The Tempest  and the depictions of the Cannibals in Montaigne's essays.

While Prospero and Caliban seem to represent complete opposite sides of society—the civilized vs the primitive (but who's who?)—their similarities are uncanny. Both characters are outcasts whose right to their kingdom was usurped. And although they are similar in their circumstances, and possibly in their nature, neither one ever makes the effort to create a relationship or forge a connection between their maybe-not-so-different worlds.

 Montaigne, Shakespeare, Heriot, and even More tried to explore this theme of otherness by giving us societies full of irony or even perfection and as a result we can recognize that maybe The Brave New World required braveness not so much in the conquering, but rather in acknowledging the strangeness of others and ourselves when measured against each other. Because to find the hypocrisy that Montaigne points out in Of Cannibals ("I am not sorry we note the barbarous horror of such an action, but grieved that, prying so narrowly into their faults, we are so blinded in ours...") requires a cultural self-awareness that may be easier theorized than done.

The proclivity to favor one's own culture and beliefs above those of other's beliefs is known as ethnocentrism, and it is something that we grapple with even today. As we observe the differences between an us vs a them, do we accept the theory that morality is relative and that some practices or beliefs are acceptable under certain cultures and not others? Or do we cling to our vision of ourselves as the true and only source of right and reason in hopes that others will be guided by our "light"?

In truth, I don't have an answer—but neither did the Renaissance greats—and so the question remains demanding that we seek our own answers and perhaps even find a compromise of our own.


Works Cited:
"Of Cannibals, Kings and Culture: The Problem of Ethnocentricity." The Stone. The New York Times, 17 Feb. 2013. Web. 08 Sept. 2015. <http://opinionator.blogs.nytimes.com/2013/02/17/on-ethnocentrism/?_r=0>.Times, 17 Feb. 2013. Web. 08 Sept. 2015. <http://opinionator.blogs.nytimes.com/2013/02/17/on-ethnocentrism/?_r=0>.

Monday, April 1, 2013

Quick Prototype of a Text Intro Video

I didn't finish it, but I learned what I need to do to make the process faster. The music (creative commons from freesound.org, I had to register to download anything) helps, but it's still pretty dull.

Sunday, March 31, 2013

Brave New Worlds (Almost) Finished Videos

So, our group met, had some fun, and became puppeteers (if only for about an hour).  The first is the Introduction video & when it's up online the viewer/student will have the option to choose which of the next three will be their destination.  Enjoy!

I've been trying to upload all of our videos since Friday, but Blogger is being a little goofy.  I was lucky enough to get the intro video up, but haven't been able to get the other three up yet.  Darn.







Friday, March 29, 2013

Script for Cannibals

Scene: cannibal hut/desert island, complete with human body parts on a spit]
[enter Sailors]

Sailor 1: Arrrr, a real cannibal island! Now, I remember reading an essay by some French guy...
Sailor 2 Marner: Michel Montaigne. You didn't read it, you just used Spiff Notes.
Sailor 1 Jonas: Bark Notes, actually, and it's all the same anyway. OK, I'm trying to remember if he gave us any clues about how not to get eaten.
Sailor 2: Just stay cool, man. I read the whole essay, and we just have to remember that just because people are different doesn't make them wrong. Steady, [other sailor is deep breathing] steady as she---
[enter Cannibal]
Cannibal: Boooooo!
[Sailors screech like girls and start shaking]
Cannibal: Haaa, teeny sailor girls screech like stuck pig! Welcome to our island, sailor sandwiches!
Sailor 2 Marner: Look at me, I'm shaking like we're still in that tempest!
Sailor 1 Jonas pirate: Um... I don't think it's sea legs anymore.
Cannibal: No need be frightened!  [switch to normal side] See, we offer you welcome! Rest, help, food! Anyone care for some delicious... Lady Fingers?
Sailor 1 Marner: Sailor 2!!! I mean, Jonas!!!
Sailor 2, nervously, Jonas: Ha! ...I bet they're ...finger-lickin' good! Arg.
Cannibal: HA! No worries, sailor sandwich man, I no eat you, you a comedian!
Sailor 2 Jonas: Well, why not?
Cannibal: Comedian taste funny!
Sailor 2 Jonas: HAA! See, [Marner], they're not so bad! Oh, oh, I got another one: what do you and a HR rep have in common?
Cannibal: What HR rep mean?
Sailor 2: You're both... fed up with people! (snare drum snap)
[Both laugh until Cannibal abruptly stops.] [switch to scary side]
Cannibal: ...all this laughing make me hungry.
Sailor 1: DON'T EAT ME!
Cannibal: Well, we humanists so we like (to eat) humans. I give you TEST. You can answer few question right, we no eat you. You answer wrong... and we helps you find out where you funny bone be.
Sailor 1 and 2: HELP US!

Help the sailors and work toward your own Exploring Brave New Worlds Badge:

option 1: I've already read Michel Montaigne's Of Cannibals. I'm ready for the challenge!
option 2: I need a refresher first! Take me to some texts!

Quiz:
1. Michel Montaigne's writing looks like...
            a. a personal essay
            b. a chapter from a book
            c. a speech to Parliament
            d. both a and b
            e. all of the above

*** 2. Michel Montaigne likes to get his information from...
            a. a famous explorer of the period, Thomas Heriot
            b. the wisest, most experienced explorers on the ocean
            c. Long John Silver, the ship's cook.
            d. a simple, ignorant crew member

3. According to Montaigne, cannibals are savages in the same way...
           a. fire is hot: they will always be that way
           b. a mean dog is ornery: it's been taught to bite back
           c. fruit is wild: it's still in its natural state
           d. heaven is cloudy: it's actually better that way

***4. Montaigne believes cannibals are no more savage than...
           a. Wild apples (since they actually taste better out of the orchard)
           b. Europeans (since they torture their prisoners alive)
           c. Zombies (since they really don't have a choice in what they eat)
          d. Pocahontas (since she ...wasn't around yet)

***5. What are the two chief values of the cannibals?
           a. valor to their enemies and love to their wives
           b. peace and plenty
           c. careful seasoning and perfect barbeque techniques
           d. drinking and dancing

6. Why does M. use so many allusions to older myths and civiliations in history? Name one such nation and do some background research on what the inclusion would have meant to his day. (ad fontes)

7. Humanism



Tuesday, March 26, 2013

Brave New World ideas

See https://sites.google.com/site/openrenaissancewiki/ebook/brave-new-worlds/brave-minicurriculum


for our project ideas, possible flow of video chain, characters, background, script... 

Friday, March 8, 2013

On Cannibals and Zombies: Montaigne in 2800 AD


journal entry 1: 

journal entry 2:

journal entry 3

journal entry 4

journal entry 5:

I would've polished this much more if I'd had time, but I think it does accomplish some things I'd like you to consider while you watch: How has the personal "essay" genre changed through time? What has a "journal" meant through time? How should literature incite our own experiences, whether that's exploring our own world or making a video? What is Other, and how do we deal with it? What role has the unknown or the monster played through British lit/ cultural history? How does our contact with the Other start to dissolve our own cultural concepts or boundaries? Can it strengthen them instead? Why zombies? Why cannibals? How do you get ketchup out of your hair? Who in your life trusts you enough to let you bite their finger?